翻訳と辞書
Words near each other
・ Best Buy Europe
・ Best Championship Performance ESPY Award
・ Best Coach/Manager ESPY Award
・ Best Coast
・ Best Coast discography
・ Best Coast Jazz
・ Best coding practices
・ Best Collection
・ Best College Football Player ESPY Award
・ Best College of Polomolok, Inc.
・ Best Comeback Athlete ESPY Award
・ Best Costume Design
・ Best Country Today
・ Best current practice
・ Bessie The Heifer
Bessie Thomashefsky
・ Bessie Toner
・ Bessie Tucker
・ Bessie Wheeler
・ Bessie Williamson
・ Bessie, Oklahoma
・ Bessiebelle
・ Bessieres Island
・ Bessik Khamashuridze
・ Bessilyn Johnson
・ Bessin
・ Bessines
・ Bessines-sur-Gartempe
・ Bessingby
・ Bessinger Nunatak


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Bessie Thomashefsky : ウィキペディア英語版
Bessie Thomashefsky

Bessie Thomashefsky (1873 – July 6, 1962) was a Russian-born Jewish American singer, actress and comedian, a star in Yiddish theater beginning in the 1890s. She was the wife and stage partner of Boris Thomashefsky, the most popular Yiddish leading man of his era. Probably her most famous role was the title role of Oscar Wilde's ''Salomé'' at the People’s Theater in 1908.
==Biography==
She was born Briche Baumfeld-Kaufman in 1873 in Tarashche, Kiev province, Ukraine. Her family emigrated to American in 1879 and finally settled in 1883 near Baltimore. She attended school until she was 12 and then went to work in a stocking factory and a sweatshop.〔(Jewish Women Encyclopedia )〕
In 1887, 14-year-old Bessie met her future husband when she went backstage at a Baltimore production of ''Aliles Dam'' ("''Blood Libel''") by a Yiddish touring company to meet the beautiful young "actress" she had seen on stage, only to discover that "she" was the 19-year-old Boris Thomashefsky,〔 and that he was also the manager of the company. In 1888, Bessie ran away from home to join the Thomashefsky Players,〔 and was given an ingenue role starring in Abraham Goldfaden’s ''Shulamith'', which was performed at the Boston Music Hall. Boris moved to romantic male leads.
In 1889, 16-year-old Bessie had a daughter, Esther, with Boris and in 1891 they were married.〔(Boris Thomashefsky ) from the Jewish Virtual Library, retrieved February 28, 2005.〕 Esther died at the age of 6 of diphtheria. They also had 3 sons.〔''(The Thomashefskys: Music, Memories and Life in the Yiddish Theater )''〕 Their first son, Harry, started acting at the age of 13 in the play ''The Pintele Yid'' (''A Little Spark of Jewishness'', 1909), became a director of the Federal Theater's Yiddish Theater Project and directed his father in films ''The Jewish King Lear'' (1934) and ''The Bar Mitzvah Boy'' (1935). Their second son, known as Mickey, took after his father's romancing ways and romanced 2 women at the same time which led to a dramatic murder-attempt/suicide in 1931, reminiscent of his Aunt Emma Thomashefsky Finkel's notorious 1904 affair. Both Mickey and his Aunt Emma were left paralyzed by the attempted murders by jealous mates and both later died of complications related to their wounds; Emma, many years later, in 1929, and Mickey in 1936.〔(Forward, October 13, 2006 )〕 Their third son, Theodore, changed his name to Ted Thomas and became a stage manager. One of Ted Thomas's sons is the noted conductor Michael Tilson Thomas.
It was the success of Boris' Greenhorn scripts and Bessie's feature acting in them that led to Bessie being overworked and Boris taking the money and philandering. Bessie wanted an accounting of the money and couldn't find it. Boris Thomashefsky began and carried on a long-term affair with Yiddish actress Regina Zuckerberg (1888-1964).〔(playbillvault.com )〕 Regina began her artistic career at the Jewish Theatre of Lemberg, Galicia (Austro-Hungarian Empire, now Lviv, Ukraine) and had in September 1911 immigrated to the United States with her husband, actor Sigmund Zuckerberg. She was the leading actress in a number of theaters by Boris Thomashefsky and was a member of the Union of Jewish actors in the United States. Regina modeled herself on Bessie in dress, speech, style and acting—except that she was 15 years younger. Boris's affair with Regina and financial mismanagement led Boris and Bessie to separate in 1911.
Both Boris and Bessie went on to successful but separate careers. Bessie went on to found her own theatre troupe. She took over the management of the People’s Theater in 1915 and the following season the theater was renamed Bessie Thomashefsky’s People’s Theater.〔 She focused on serious social issues of the day, particularly those affecting women, like suffrage and birth-control. Her memoir, ''Mayn lebens geshikhte'' (''My life’s history: The joys and tribulations of a Yiddish star actress''), as told to A. Tennenholz, was published in 1915.〔
Regina was Boris's common-law wife into the mid-1910s. Boris filed for bankruptcy in 1915.〔(''East Side Actor Bankrupt'', New York Times, February 28, 1915 )〕 In the 1930s Boris was a pauper and died in 1939. Bessie had never divorced Boris.〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Bessie Thomashefsky」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.